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SM137 Declarations of Conformity UK

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SM137 Spec Sheet

SM137 User Guide

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3 Pin XLR

The KSM137 is an end-address condenser microphone with a single cardioid polar pattern. Designed for studio use, yet rugged enough for live applications, the KSM137 can withstand extremely high sound pressure levels (SPL). Its low self-noise and extended frequency response make it ideal for recording instruments.

Versatile, durable, and precise, the KSM137 is an outstanding microphone for instruments ranging from percussion to wind, strings to brass, and piano to guitar.

Cardioid Instrument Microphone                   

KSM137 Declarations of Conformity (EU)

KSM Brochure

KSM137 User Guide

KSM137 Spec Sheet

<ul>
	<li>Highly consistent cardioid polar pattern</li>
	<li>Ultra-thin, 2.5 micron, 24 karat gold-layered, low mass Mylar&reg; diaphragm for superior transient response</li>
	<li>Class A, discrete, transformerless preamplifier for transparency, extremely fast transient response, no crossover distortion, and minimal harmonic and intermodulation distortion</li>
	<li>Premium electronic components, including gold-plated internal and external connectors</li>
	<li>Subsonic filter eliminates low frequency rumble (less than 17 Hz) caused by mechanical vibration</li>
	<li>Switchable 15 dB pad for handling extremely high sound pressure levels (SPLs)</li>
	<li>3-position switchable pad (0 dB, 15 dB, and 25 dB) for handling extremely high sound pressure levels (SPLs)</li>
	<li>3-position switchable low-frequency filter reduces background noise and counteracts proximity effect</li>
</ul>

Performance Characteristics

<ul>
	<li>Extended frequency response</li>
	<li>Exceptional reproduction of low-frequency sounds</li>
	<li>Can withstand high sound pressure levels (SPL)</li>
	<li>Superior common mode rejection and suppression of radio frequency interference</li>
</ul>

Common Applications

<ul>
	<li>Acoustic instruments -- such as piano, guitar, drums, percussion, strings</li>
	<li>Wind instruments -- brass and woodwind</li>
	<li>Low frequency instruments -- such as double bass, electric bass, kick drum</li>
	<li>Overhead miking -- drums or percussion</li>
	<li>Ensembles -- choral or orchestral</li>
	<li>Room ambiance pick-up -- guitar amplifier or drums</li>
</ul>

End-Address/Small Diaphragm

Flat

Broadcast/ENG

Film & TV production

House of Worship

Theater

Touring/Rental

Performance

Recording

A versatile, durable, and precise single cardioid polar pattern instrument microphone.

Cardioid

Acoustic String Instruments

Piano/Organ

Orchestra

Hi-Hat

Cymbals/Overhead

Choir

Percussion

E-Guitar/Bass

Studio Recording

Shure KSM Microphones - Product Overview

Brass & Woodwinds

Other Instruments

Cardioid instrument microphone delivers excellent sound isolation and superior transient response. It features a gold-layered Mylar diaphragm, preamplifier for transparency, subsonic filter to stop low frequency rumble, and a pad for handling SPLs.

Acoustic Guitar

Ambience

Banjo

Cello

Cymbals

Drum Set

Kick Drum

Overhead

Piano

Pipe Organ

Snare Drum

Ukulele

Upright Bass

Violin / Viola

Woodwinds

KSM137

Condenser

Field recording

Club

Live Performance

Place of worship

Stadium

Theater Stage

Home/Project Studio

Recording Studio

Condenser Microphone, Cardioid, Champagne, 3-pin XLR Connector

KSM137/SL

Condenser Microphone Stereo Set, Cardioid, Champagne, 3-pin XLR Connector

KSM137/SL Stereo

The KSM141 is a dual-pattern end-addressed condenser microphone with a rotating collar, allowing easy switching between a consistent cardioid or true omnidirectional polar pattern for smooth and extremely focused sound reproduction.

Designed for studio use, yet rugged enough for live applications, the KSM141 can withstand extremely high sound pressure levels (SPL). Its low self-noise and extended frequency response make it ideal for recording musical instruments.

Dual Pattern Instrument Microphone                  

KSM141 User Guide

KSM141 Declarations of Conformity (EU)

KSM141 Spec Sheet

<ul>
	<li>A mechanical polar pattern switch for highly consistent cardioid and true omnidirectional polar patterns. Provides flexibility in a wide variety of recording applications</li>
	<li>Ultra-thin, 2.5 micron, 24 karat gold-layered, low mass Mylar&reg; diaphragm for superior transient response</li>
	<li>Class A, discrete, transformerless preamplifier for transparency, extremely fast transient response, no crossover distortion, and minimal harmonic and intermodulation distortion</li>
	<li>Premium electronic components, including gold-plated internal and external connectors</li>
	<li>Subsonic filter eliminates low frequency rumble (less than 17 Hz) caused by mechanical vibration</li>
	<li>Three-position switchable pad (0 dB, 15 dB, and 25 dB) for handling extremely high sound pressure levels (SPLs)</li>
	<li>Three-position switchable low-frequency filter to reduce background noise and counteract proximity effect</li>
</ul>

Performance Characteristics

<ul>
	<li>Extended frequency response</li>
	<li>Low self-noise</li>
	<li>Exceptional reproduction of low-frequency sounds</li>
	<li>Can withstand high sound pressure levels (SPL)</li>
	<li>High output level</li>
	<li>No crossover distortion</li>
	<li>Uniform polar response</li>
	<li>Superior common mode rejection and suppression of radio frequency interference</li>
</ul>

Applications

Some typical applications for the KSM141 are listed below. Microphone use, however, is a matter of personal taste. The KSM141 may be used for a variety of applications other than those listed.

<ul>
	<li>Acoustic instruments -- such as piano, guitar, drums, percussion, strings</li>
	<li>Wind instruments -- brass and woodwind</li>
	<li>Low frequency instruments -- such as double bass, electric bass, kick drum</li>
	<li>Overhead miking -- drums or percussion</li>
	<li>Ensembles -- choral or orchestral</li>
	<li>Room ambiance pick-up -- guitar amplifier or drums</li>
</ul>

Both the acoustic environment and microphone placement strongly affect the sound obtained from miking a source. You may need to experiment with microphone placement and room treatments to achieve the best overall sound for each application.

End-address condenser microphone with mechanically switching dual polar patterns.

Omnidirectional

Dual pattern instrument microphone offers transition between cardioid and omnidirectional patterns and features extended frequency response, pad for handling SPLs, a gold-layered Mylar diaphragm, and a subsonic filter for low frequency rumble.

Room Pick-Up

KSM141

Condenser Microphone, Dual Polar Pattern (Cardioid / Omnidirectional), Champagne, 3-pin XLR Connector

KSM141/SL

Condenser Microphone Stereo Set, Dual Polar Pattern (Cardioid / Omnidirectional), Champagne, 3-pin XLR Connector

KSM141/SL Stereo

Stereo Microphone Adapter             

A27M User Guide

Stereo microphone adapter holds two microphones in selectable positions for stereo broadcasting, recording, or sound reinforcement.

A27M

Stereo microphone adapter designed to hold two microphones in selectable positions for stereo broadcasting, recording or sound reinforcement.

Windscreen               

Foam windscreen that reduces unwanted breath and wind noise.

Foam windscreen that reduces unwanted breath and wind noise while using the KSM109, PG81, and SM94 microphones.

A3WS

Foam windscreen for use with the Shure KSM109/SL, PG81, and SM94 microphones. Available in black.

A25D Microphone Clip

Microphone clip mounts wired microphones with 3/4-inch handles to standard microphone stands.

Mount for Shure models with a shaft diameter of ca. 3/4-inch / 25 mm - 30 mm like the: PGA48, PGA57, PGA58, PGA81, SM48, SM57, SM58, SM94, SM137, 565, 545, Beta 57, Beta 58 and KSM9 to standard microphone stands.

A25D

A25D, 

Mount for Shure models with a shaft diameter of ca. 3/4-inch / 25 mm - 30 mm.

Shock Mount Microphone Clip            

Shock mount microphone clip consists of an isolation mount and adapter that attaches a microphone with a shaft diameter of 3/4-inch or larger (25 to 30 mm) to a stand.

Shock mount microphone clip consists of an isolation mount and adapter that attaches a microphone with a shaft diameter of 3/4-inch or larger (25 to 30 mm) to a stand. Shure models with a 3/4-inch (25 to 30 mm) mm shaft diameter include SM, KSM, Microflex and more.

A55M

Shock mount microphone clip consists of an isolation mount and adapter that attaches a microphone with a shaft diameter of 20 mm to microphone stands.

Shock mount microphone clip consists of an isolation mount and adapter that attaches a microphone with a shaft diameter of 20 mm to microphone stands. Shure models with a 20 mm shaft diameter include SM, KSM, Microflex and more.

A53M

Isolation mount and swivel adapter securely attaches Shure models with a shaft diameter of ca. 20 mm.

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Condenser Microphone, Cardioid, Black, 3-pin XLR Connector, No Cable included


SM137-LC

<h2>What is the SM137 best suited to?</h2>

It&rsquo;s ideal for the professional musician looking to mic up their instrument such as acoustic guitar, cymbals, strings, piano and many others, either in a live or recording environment.

<h2>What are the characteristics of the SM137?</h2>

The SM137 uses an ultra-thin diaphragm for quick response, a very smooth high end, and tight bass. It has a transformerless design, low-noise operation and 15dB pad for high SPL sound sources.

Professional Instrument Condenser Microphone                  

<ul>
	<li>Ultra-thin diaphragm for smooth high end and tight, controlled low end</li>
	<li>Transfomerless Class-A preamplifier</li>
	<li>15dB pad for performance consistency across a wider range of high SPL sources</li>
	<li>Low self-noise and transformerless preamplifier circuitry</li>
</ul>

Cardioid instrument condenser microphone offers natural sound reproduction in both acoustic and high volume performance applications.

Shure SM Microphones

Cardioid instrument condenser microphone offers natural sound reproduction in both acoustic and high volume performance applications. Features include a thin diaphragm, a Class-A preamplifier, pad for performance consistency, and low self-noise.

SM137

What is the SM137 best suited to?

What are the characteristics of the SM137?

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Further Reading

Sounding Out Home Studio Acoustics

Versatility: The BETA 181